My New Love! DSLR!

I have always had a thing for photographs! Maybe it has something to do with my mother's longtime boyfriend of 8 years who was a professional photographer. Therefore, because the DSLR can double as photo taking machine and a video capturing machine, I've developed a new love for it. I aspire to use it in my scene assignment! I've learned that it has the ability to rack focus, which I really wanna use for my intense moments! It gives a quality cinematic look that I adore. The DSLR uses interchangeable lenses (which reminds me of the Sony's filters) and a sensor that is larger that gives it that higher quality. I also like how it tolerate low-light levels better. My film is dark and eery so I think it would work well with my film. Here are some Pros and Cons of the DSLR, that I've reviewed from Cnet.com" Pros: 1. Greater lens versatility. 2. Almost always better image quality 3. Better performance. 4. Usually a more functional "shooter's" design. 5. Greater flexibility. Cons: 1. Generally bigger and heavier. 2. Increased complexity 3. Higher prices. 4. Generally inconvenient to use the LCD for framing. ( I plan on using an adapter to connect the camera to my laptop so my DP and I can monitor our shots.) I was curious to find out what feature films where shot with DSLR and here is a list of what I've discovered: ROAD TO NOWHERE Shot with: Canon 5DmkII Trailer: Road to Nowhere - YouTube PERCEPTION Shot with: Canon 7D FANTASTIC MR. FOX Shot with: Nikon D3 IMDb: Fantastic Mr. Fox (2009) - IMDb DESPERATA Shot with: Nikon D90 Official website: Desperata - official homepage of the feature film ACT OF VALOR Shot with: Canon 5DmkII, Canon 7D, Canon 1D Trailer: Act Of Valor (2012) Official Trailer - HD Movie - Navy SEALS - YouTube ALÉM DE TI Shot with: Canon T2i Official Facebook: https://www.facebook.com/Alem.de.Ti.Longa.Metragem

I Can't Wait to Use Dollies!!! Eeek!

Blogger's Note: All of my dolly examples are used effective!

www.youtube.com/chanel?WT.mc_id=1012N5_YT&WT.mc_T=med

I beginning my blog with this new commercial from Chanel's Fragrance Number 5. Brad Pitt is still, he recites some poem or monologue, it's in black and white and the camera moves closer to him in for a Character Dolly or Push In. This highly attractive man is a sight for sore eyes and I had no problem with the camera's steadily approaching him. My heart leaped at the cutaway of a wide close up of his beautifully aging face (MELT!!!). His words are intense and thoughtful. You're drawn to whatever it is that this handsome man is saying and the camera's movement towards him exemplifies this longing you have to understand.

"http://www.youtube.com/watch?v=D92Lyxj7U7Q"

Across the Universe has to be one of my all time favorite movies. For a generation that validly hold some type of regard for The Beatles, this movie gave them an opportunity to get lost in the magic that decades of fans where introduce to during their time. The scene I picked has a spin look at about :20 into it. The cheerleader singing has a desire to be with an unidentified person that she hasn't adequately expressed for a reason that is understood later in the scene. She is singing "I Want to Hold Your Hand," which makes for a sad sort of undertone and as the spin away occurs, you see the distance between her and her mysterious crush. As it spins around, you get to see the emotion on the singers face as see stares at her love from afar.

"http://www.youtube.com/watch?v=VS7_TcUr2wM"

My next chose comes from the movie Accidents Happens. The link I've provided is only a teaser. I could not find the clip I wanted on line. Anyway, pay attention to :00-:05 as the camera tilts down into the scene. In the movie of course, it continues this motion until it introduces the characters but this teaser does not. I liked this scene because it offers a new way to present an establishing shot. Instead of simply holding the camera on the location for whatever seconds, it "enters" the scene as we, the viewers, kind of do so as well.

"http://www.youtube.com/watch?v=16bnjRWZNyY"

My next scene is from the 2006 Spanish movie Pan's Labyrinth. This is one of my favorite movies as well. It tells the story of a girl growing up with a stepfather who has the demeanor and heart of Hitler. She escape her troubling situation by making up wonderful stories that come true in her real life. I chose the scene where she is introduce to a mystical garden leading to a labyrinth behind her new home. At about 1:36 there is an example of a fly over. The garden has been shaped into a maze so it is effective that the director chose to do a fly over as we follower our main character through the maze.

The Color Purple Scene Analysis #6

The scene begins with a sudden long pan left to right.

Albert enters the scene by throwing a suitcase of Nettie's and it's content off his front porch. The camera quickly follows his movement until he reaches Nettie and Cecile, whose arms are locked around each other desperately trying to stay together. The way he abruptly enters the scene adds a sense of surprise that the two girls may have felt when they discovered what Albert intended to do. The pan leads to the joint Cecile and Nettie as Albert forcefully tries to split the two.

A long shot of all three characters on the porch is reduced to just a medium closeup 3/4 frontal on a negative angle to show the emotion in the two girls. This shot allows for the audience to see their embrace as well as their anxiety and anguish. The next scene is another wide shot with a long pan that follows Albert dragging Nettie out of his house. They fall in a small pool of mud at the end of the porch's steps in the process.

They are covered in mud as they land and Nettie tries to escape Albert's grip but is once again caught. As he continues to throw her out, he drags her through the mud and I'm reminded of the saying that suggest speaking unfavorably of a person. In this scene he embodies behaving unfavorably towards someone. The next shot is an extreme wide shot that use the branch tree house in the foreground as the background is occupied by the background for a while, then the girls dash from the background to the foreground as the camera pans into another frontal 3/4.

Like the children in the scene that follow all the commotion, the pan allows the audience to become a part of the scene as they watch how each moment unfolds. Then there is a medium close up of Albert as his forces Nettie's hands of the side of the tree house. We follow him down as he pounds her hands off the tree post. This gives way to his cruel calculate behavior that cause him to go to unimaginable measure to rid his life of the innocent Nettie. Albert finally accomplishes putting Nettie out.

The scene that shows him pushing her out of his gate is shot at a low angle and then as Nettie hits the grown, the camera follows until it locks on a close-up of Nettie in the dirt. The Series of pans that brought us to this point seem like the opener for how mean Albert is. Nettie leaving was the turning point in Cecile's life, and her being thrown out in such a matter creates a uneasiness in the audience's view of Albert. The last couple of scenes show Nettie leaving Albert's property for good.

It starts off with a medium close-up facing Albert holding Cecile back and pushing Nettie away. Then it transitions to a 3/4 positive shot of Albert pushing Nettie away, to an over the shot facing Nettie who has given up trying to get to her sister again. Albert holds us a strong fist that causes Nettie to give up her fight. This shows a power in Albert. This power is made more evident with another low angle shot behind Nettie that makes Albert the subject of the shot, gives them authority and demeans Nettie standing before. Him The lighting seemed merely natural sunlight from an overcast day. The characters live on a farm and I think the dull lighting goes well with the location. When the scenes are on the white porch, the light seems to be a tad bit brighter. As the scene moves onto the dirt road where low angle shots reveal a purplish pinkish sky that covers the sun with clouds, the scene has a orangish darken feel to it. This change in scenry and light concludes the sad segment of the movie well. The purple tone in the sky that's shown from Albert's high angle shots is a nice little additive. The color purple has be theorized as being "represent the future, the imagination and dreams, while spiritually calming the emotions" (Empower yourself with color psychology, "The Color Purple and The Color Violent") but in this scene, doesn't correlate at all with this idea. This irony made this scene stand out to me and thus, I did it for my assignment!

Portrait of a Place: "Walking Down The Street!"

Portrait of a Place from Kyerra Dexter on Vimeo.

Who says Tuscaloosa's downtown isn't a lively and exciting place? It's filled with great restaurants and businesses and students, locals and visitors can be found enjoying the scene on any given day. This short film shows all of the wonderful things Greensboro and 6th Street has to offer. It encourages the viewers to visit the location and indulge in the food, companies and scene!

Post #5 Reflections

TCF 312 has helped me remember the skills I've learned in TCF 201 and it has expended my cinematography knowledge as well. It has given me an opportunity to see what filming something is like with the lighting exercises we've done, which shows how hard it is to light a scene for a particular look, and with Dr. Raimist constantly asking us questions that challenge our memory. Asking what lone C-stands are called for instance or what words to use for certain directions are some of the questions that get our baby film brains going. Working on sets help me learn terminology better and I am growing more comfortable with being on location.  So far my strengths have been responding to directions. I've worked as grips for both of our onset exercises and when I am told to jump, I jump and fairly quickly I might add. I am eager to be a DP because that seems to be the most challenging job thus far. Creating a look based off of what a director envisions. I anticipate having this position because it allows me direct people to create something that has an awesome mise en scene.  I aspire to do this as a career so I look forward to practicing it and whether or not DP is truly what I want to do. Being given that opportunity couple with the activities I have done so far in this class, as united to become a rewarding experience for me and I look forward to learning and doing more as the year progresses.

Blog #4

The City at Night. I choose this because often times taking pictures at night can be hard to do because small lighting can cast shadows over things that make up the scene, however in this photo, the street lights and building lights work together to make an easily identifiable scene. It’s taken from an angle near the edge of a building so I go t the feeling that was walking into the scene and stopped to admire city that illuminates a darken sky.

Mountain Landscape. I am a sucker for the natural world. I think it’s beautifully fascinating with it’s rich greens, glorious blues, fluffy whites, etc.  In this photo the photographer obviously used the lighting from the sun to capture this mountainous scene. It’s taken at an angle on a hill near a cottage like home and the position allows the photographer to look down and across the magnificent landscape that takes my breath away. Glorious! I wonder if he or she used some type of filter to make the colors so vivid or some kind of editing once the pictures were developed or uploaded. Whatever the method, this happens to be one of my favorite pictures thus far. It makes me want to go there, sit on top of the hill and watch the day turn into night.

The Tree.  My next photography is a picture of a tree with a falling sun shining through the branches and leaves. If you haven’t notice yet, I’m choosing this geological collection of pictures to analyze but anyway, I like this picture because of the timing. It seems like dusk is approaching and the photographer either planned this or it just happened but everything works.  He or see also used the sun to light the photo and this light has brownish glow about it as the rays with different shades running down each, create lines of light piercing the holes in the tree. It is almost magical the way it makes the tree turn into a shadow that is manipulated by the glares around it. I love it. I think about the Lion King for some strange reason even though this tree is nothing like the African ones drawn in the film! 

Blog Post #3

I can remember going to the movies as a little girl, watching whatever Disney film that premiered and leaving the movies captivated like I was Mulan, Princess Jasmine, Snow White or Simba.  I developed a fondness for the cinemas ability to distract me from reality and engulf me in its magic, entertainment and craft. As I got older, I found myself addicted to every movie channel on my satellite lineup and when I discovered behind the scenes shows that detailed all the elements that made a movie successful, I found my calling.

“I want to be a filmmaker!” I told my mother.

“A filmmaker,” she said reluctantly.  Her reaction frightened me and her long pause didn’t make my emotions calmer. “Well,” she finally said as she loosen the muscles in her face, “you better be good damn filmmaker if you’re going to buy me a house. Spike Lee, Juile Dash, Antoine Fuqua and Gina Prince-Bythewood should be your inspiration!” With the approval from my mother, I pursued Telecommunications and film at UA with a media production track. I tried to enroll in this TCF 312 class countless times and received a lot of rejection but since I finally received the override, I hope to learn the art of cinematography. I want to make films that are beautiful, crisp, well crafted and entertaining. I believe this knowledge will help my ultimate goal of being a filmmaker that is worthy of being listed amongst the Lees, Dashs, Fuquas and Prince-Bythewoods. I want to create films that give my viewers the same impression I had leaving those Disney movies as a child and I want to, like my mama said, buy her a house with the revenue I get from executing this goal.